By MARILYN JOZWIK

If you thought the Christmas pageant depicted in “The Best Christmas Pageant Ever” was over the top, wait until you see the one in Sunset Playhouse’s “Christmas Belles.” Think of “Christmas Belles” as the adult version of “The Best Christmas Pageant Ever,” with a sackful of fun. If you’re looking for some laughs this holiday season, this show delivers in bunches.

From a tipsy version of the Christmas Story to an Elvis sighting, the pageant in Fayro, Texas, is one for the ages. But the lead-up to it is full of surprises and humor as the Futrelle sisters gather for one of the most unusual unplanned reunions you’ll ever see. In the hours before the pageant you’ll see them as far apart as the state of Texas and then finding just how much they need each other.

Honey Raye Futrelle, the town floozy, has taken over Tabernacle of the Lamb Church’s Christmas pageant from Miss Geneva, who directed the show for 27 years. Honey Raye has a Vegas production in mind for the show, complete with a guest appearance by a fourth wise man (a local celebrity who will be bringing her butternut squash lasagna for her gift), as well as a part for an Elvis impersonator. It’s sure to be the talk of the very small town for years, but, when things go very wrong and secrets are revealed before the show even starts, the play careens hilariously out of control.

The strength of the show, directed by Becky Spice, is its strong, well-defined characterizations by Sunset’s choices for the Futrelle sisters: Tamara Martinsek as Honey Raye; Heather Reynolds as Twink; and Diane Gard as Frankie. Twink has been incarcerated after setting a fire to avenge her husband’s cheating, but the sheriff is allowing her to see her sister’s pageant. Frankie, along with husband Dub, is expecting twins any minute, a late life second family as they have a grown daughter, Gina Jo (Nicole Gross), who is being romantically pursued by the church pastor, Justin (Keith R. Smith). Frankie and Gina Jo also come to support Honey Raye’s directorial efforts.

There are such fun folk in this show, and the comedy is almost non-stop. You meet Frankie’s husband (Paul Pfannenstiel), who is playing Santa at the town’s big department store for some extra cash, giving lots of opportunities for humor when he is dealing with a (ho-ho-ho) kidney stone – scenes which Pfannenstiel milks wonderfully. The pastor plays his reindeer helper. Then there’s the 10-gallon hat-wearing town sheriff (Parker Cristan), who has a soft spot for inmate Twink. Parker gives his bombastic sheriff a sort of Barney Fife likeability, while really letting it all out for his Elvis bit.

Nearly every scene ends with a zinger. And this cast knows how to deliver a zinger.

Martinsek as the dramatic Honey Raye, who wants to name her big-production Christmas pageant “Bethlehem Lalapalooza,” seems to be at the center of every scene with her big red hair, her thigh-high, leopard print boots and her big Southern personality. When she vents her anger by saying, “I am so furious I could spit nails,” it sounds like something she’s said time and time again. Martinsek is just a joy to watch.

Reynolds and Gard complete the sister act to perfection. The three are in sync with one another and the whole cast.  Gross’s Gina Jo is just so sweet, while Cheryl Roloff as Rhonda Lynn, who keeps everyone fed in the church kitchen during play rehearsals, fits in nicely. Beverly Sargeant gives Miss Geneva a no-nonsense attitude as she provides a steady hand through the pageant’s shenanigans.

There are several smaller roles that have big moments in the show that get big laughs, including Joyce Sponcia, playing Patsy, the nosy, intolerant church benefactor. Sponcia is hilarious as she delivers an unconventional Christmas story, while Susan Zuern as Ozella makes the most of her unique solo in the pageant while playing the ukulele. Jacob Cesar as Raynerd, who insists on playing his role in the Christmas pageant with a Batman backpack, is convincing with his oft-proclaimed, “I just love Christmas,” and then saves the pageant with his touching sincerity.

A concluding singalong at the church pageant – and in the auditorium — puts a cherry on this delicious holiday production.

Who: Sunset Playhouse

What: “Christmas Belles”

When: Through Dec. 23

Where: 800 Elm Grove Road, Elm Grove

Tickets/Info: staging.sunsetplayhouse.flywheelsites.com; 262-782-4430

By Marilyn Jozwik

I was told that there would be laughter and there would be tears during Sunset Playhouse’s presentation of Joe DiPietro’s “Over the River and Through the Woods,” my first viewing of the show.

I didn’t quite get to the tears part – though there were some wonderfully done, emotion-filled scenes – but there was plenty of laughter. In fact, throughout most of the first act, there was a constant array of laughter, ranging from tittering to belly laughs.

The theme of the show is family. Nick (Ben Braun) is the 29-year-old, single grandson of Frank (Scott Kopischke) and Aida (Joan End), as well as Nunzio (Raffaello Frattura) and Emma (Linda Wirth). Nick’s parents have moved to Florida, but Nick still lives in New Jersey and has Sunday dinner with both sets of grandparents every week. Nick is often reminded of the importance of his family. “Tengo familia” his grandparents repeat to him often, impressing upon their grandson his role in the family.

Nick loves his family dearly but is frustrated by their old ways and lack of empathy for his generation. They don’t want to learn how to use the new devices he gives them as gifts, they argue endlessly about minutiae and they fuss over him like mother hens, especially his grandmother Aida, whose first remark when he arrives – or when most anyone arrives, for that matter – is “You look hungry.” She moves in and out of her kitchen, bringing splendid meals and desserts like a short order cook. “That’s their secret – they suck you in with the food,” says Nick.

Food is a big part of the play. And these are some of the most relatable moments. Early on, Aida asks Nick what kind of cheese he wants on his sandwich, “chedda” or “Muensta,” as they say with their New Jersey accents, in a hilarious bit. Next comes the crumb cake that Aida serves as Nick tries to make a big announcement. “This is a one-sentence announcement. You don’t have to cater it,” says Nick. The grandparents make a production  of serving the cake and coffee, chattering about who wants what, how good the cake is, and on and on. Nick is becoming more and more frustrated with their habits.

When Nick finally tells them news they don’t like – which seems like a betrayal of family, to them — the grandparents set in motion a whole series of events to try to undo Nick’s plans. Along the way, Nick learns a lot more about his grandparents and their past that gives him an even deeper appreciation of this incredible gift of family.

DiPietro, the playwright, has a gift for comedy, as he also displays in “I Love You, You’re Perfect, Now Change.” There is lots to laugh at in both these shows, with “I Love You” having perhaps a meatier script.

This cast, under the direction of Brian Zelinski, does a fine job with the comedy and capturing the emotional pitches the show attains.

As the tightly-wound Nick, Braun has all the right qualities. In the first act, he is in a near constant state of annoyance as his grandparents’ whirl around on a merry-go-round of small talk, food presentations and petty arguments. He communicates with his hands, his face, his whole body, conveying his emotions. His is a demanding role and Braun is up to the challenge. In Act II, Nick sees a different side of his grandparents, and we see a different side of Nick. Braun plays the transformation beautifully.

Kopischke and End as Frank and Aida are the more subdued set of grandparents, while Raffaello and Wirth as Nunzio and Emma have only one volume to their conversations – loud.

I have loved Joan End in every play I’ve seen her in, most recently in “The Foreigner.” Here, she plays a sort of Edith Bunker character that knows only one mode – maternal. End has such warmth and sweetness about her character that Aida draws you in. She beams at every compliment about her culinary skills and unabashedly shows the joys of service.

As her husband, Frank, Kopischke seems to always be in the center. His emotional stories of leaving his home in Italy when he was 14 are touching and his slightly out-of-touch and myopic view of the world is endearing.  Kopischke gives Frank an introspective quality, a thoughtful manner. Nunzio, played by Frattura, is just the opposite. He’s boisterous and demonstrative, and says what he thinks when he thinks it. Nunzio’s wife, Emma, played by Wirth, rivals her husband in tone and passion. These two, as are End and Kopischke, are a perfect pairing.

As Caitlin O’Hare, a family friend, Deanna Strasse brings just the right amount of bemusement as she meets Nick’s warm and expressive Italian family. While Nick is visibly angered at his family’s mealtime conversation, Caitlin is charmed. Strasse’s pleased look is a nice contrast to Nick’s look of exasperation. The two handle wonderfully a pivotal scene in which Caitlin helps Nick learn to appreciate just what he has.

The ensemble cast is first-rate, tackling some of the tricky exchanges expertly. When playing Trivial Pursuit, Nunzio has a hard time coming up with a name and the grandparents go off on a rollicking discussion of “the guy with the ears” and “the woman with the hair” without ever coming up with names. It’s hilarious, with Wirth and Frattura verbally dueling as if in a tennis match.

Nick Korneski’s set of Frank and Aida’s living room is warm and inviting, but I just couldn’t take my eyes off the big picture above the window. It just seemed an odd place to put it. Marty Wallner’s lighting is spot on, highlighting various characters and scenes to home in on the emotions.

You don’t have to be Italian to appreciate the messages delivered so well here, mainly that family matters. But the need to succeed and to reach our potential is important, too, as long as we don’t lose sight of those who formed us. Those values are articulated with humor and emotion in Sunset’s presentation of “Over the River and Through the Woods.” If nothing else, it will make you want to start a tradition of Sunday family dinners.

If you go

Who: Sunset Playhouse

What: “Over the River and Through the Woods”

Where: 800 Elm Grove Road, Elm Grove

When: Through Sept. 24

Tickets: (262) 782-4430; www.staging.sunsetplayhouse.flywheelsites.com